Education
PhD, Spanish with Medieval Studies Certificate, Emory University
JD, Law, University of Duesto
BA, Spanish, University of The Basque Country
Research
Iberian Medieval Literature, Women and Gender Studies, Art History, and Spanish for Heritage Learners.
Courses
Spanish 497: Research and Discussion of Selected Topics in Literature (Senior Seminar in Spanish)
Spanish 428: Contemporary Mexican Literature
Spanish 352: Peninsular Literature I: Medieval and Early Modern
Spanish 340: Introduction to Spanish Literature
Spanish 335: Cultural Institutions of Spain
Spanish 331: Spanish Composition and Discussion
Spanish 260: Hispanic Literature in Translation
College Colloquium: Sexuality and Eroticism in Medieval Europe
Book Chapters
Montero, Ana I. “Reading at the Threshold: The Role of Illustrations in the Reception of the Early Editions of Celestina.” Celestinesca 39 (2015): 197-224.
Montero, Ana I. “‘Pues no la has tú visto como yo’: Scrutinizing and Resignifying the Beauty Myth in Celestina” eHumanista 35 (2017): 351-361.
Citations
“‘Pues no la has tú visto como yo’: Scrutinizing and Resignifying the Beauty Myth in Celestina” eHumanista 35 (2017): 351-361. ISSN 1540 5877
“Reading at the Threshold: The Role of Illustrations in the Reception of the Early Editions of Celestina,” Celestinesca 39 (2015): 197-224
“The Elusive Threshold: Textual and Sexual Transgression in the 1499(?) Edition of Celestina,” eHumanista 30 (2015): 115-136
“Visions of the Lewd: The Latent Presence of the Cantigas de escarnio in the Miniatures of the Cantigas de Santa Maria,” Revista de Estudios Hispánicos 45 (2011): 107-131
“From Margins to the Centre: Libidinous Imagery in the Cancionero de Palacio,” The Bulletin of Spanish Studies 58.1 (2011): 1-23.
“A Penetrable Text?: Illustration and Transgression in the 1499? Edition of the Comedia de Calisto y Melibea.” Word & Image 21.1 January-March (2005): 41-55.